Buy my Designs at the Western Wake Farmers Market this Weekend–Take My Class at the Scrap


Why is my dining room/sewing table in such a crazy state?

Because I’m getting ready for a super busy sewing weekend.

On Saturday (11/1)  I’m selling my Rewind Designs at my favorite local farmers market WWFM  in Cary, (NC), and on Sunday (11/2),  I’m teaching a Practical Sewing Workshop at the Scrap Exchange in Durham;

The craft market  a rain or shine event–looks like rain or at least cloudy and cool weather, but there are some bright spots:


I finished the 3 clutch purses in 40s and 50s fabrics that I was working on last week. I’m very  pleased with the results.


And I’m working on some favorite little pieces for the sale:  quilted pot holders and pet place mats.

Plus–I’ll have more than a dozen of my signature super-sturdy garden/craft tool aprons.   They are my top sellers.


The sewing pile for Sunday’s class is not nearly as creative, but just as important, maybe even more so since it’s promoting sustainability.


I have jeans to hem, shirts and pants to alter, and my favorite garden shorts to patch.  Note to self:  never put metal bolts in your pants pocket.  Use a super sturdy tool apron instead.



What to do with Grandma Hankies and Other Fragile Fabrics –Adding Body with Channel Quilting

I didn’t start out to become a quilter. It just happened.


One day I was re-shelving my stash of grandma hankies for the millionth time and I thought: I’m going to use these things or lose them—

But how? Like a lot vintage fabrics, old hankies are thin and fragile. And there’s little room for fragile things in my life.

The solution was anchoring my hankies to canvas for strength using rows of stitching.

I learned later that this technique is called Channel Quilting. (You don’t have to have batting between the fabrics to be quilting, by the way.)

Earth-friendly quilters spray and pins secure the fabric layers while I’m stitching.


My beloved Pfaff sewing machine with the built-in walking foot makes the process go smoothly without much shifting.

I work mainly on small to medium sized pieces, rarely larger than 30 inches.

The presser foot is my primary seam guide.

I change the needle position from center to side for more space between the rows and GO!

hankie_4 hankie_5

This technique has become the basis of my work with vintage and reclaimed fabrics. I don’t just use channel quilting to put delicate pieces like hankies and quilt fragments on my signature garden and craft tool aprons. It’s  the way I alter the weight of many light fabrics so I can use them in interesting ways.

Take these soft dress and scarf prints from the 40s and 50s. Quilted to canvas and interfacing, they take center stage in a trio of retro fall clutch purses (in progress).


I hope to finish these bags in time for my next craft show on November 1st at the Western Wake Farmers Market. I just hope I can bear to part with them. I do love these fabrics. All three are great finds but I had no idea what to do with them…until I added body.

What’s on my Sewing Table: Scarves and Scooters from Ireland

We’re on vacation in Ireland and while there are millions of sheep, bins of beautiful  yarns, and sweaters in every shop,  there are still lots of cool fabrics to get me inspired–


I bought this layered scarf at the Galway Street Market.  It’s basically 3 descending triangles of light/sheer fabric that are serged on the edges and sewn together at the top.

I can’t wait to get home and create my own version on my vintage industrial serger.  Combining different  fabrics and trims in a single piece is my favorite part of what I do!

My new favorite sewing book came from  Hickey’s Fabric store (also in Galway).   Inspired by sewing patterns from the 40s , 50s, and 60s,  it’s full of funky hats,  purses,  and collars.


I especially like  the covered button badges in the book.  They’re a great way to use up the little bits and homeless words  that  I can’t bear to part with.


Fabric makes a great souvenir.  It packs flat and won’t break in your baggage.   I thought these red,  white, and blue scooters were unique and bought a meter to cut up and for throw  pillows and pot holders.  Like the woman in the shop said–people are passionate about their bikes.


Finally when I see something in my travels that I want to try at home, I go back to the hotel and make a quick sketch.  Sketching is much less intrusive than snapping pictures of people’s clothing, shop goods, or furniture.  Plus, so many photos seem to get lost down the digital rabbit hole –

Old school sketching works best for me.    Yes, I know it’s paper–but I never leave home without it.


So how to do you capture and save inspiration?

2nd Sunday Sewing–Same Great Community Meet up at a New Location, Day, and Time


I’ll confess, I was worried.   When the Scrap Exchange in Durham moved to a new (improved) location and changed their hours I thought–what will happen to Sew Night?



I love being a part of  this vibrant, ever-changing community meet up.  It’s  the best value in sewing (FREE) and always a jump start for my sewing.

I get so many great ideas there–

So I’m happy to say we’re not losing it–just morphing it.

Beginning this Sunday 9/14/14, Sew Night becomes  2nd Sunday Sewing 

  • The meet up will be  monthly on the second Sunday afternoon of each month
  • The time 2-6
  • The location is the new and improved Scrap Exchange Design Center–(I was there today setting up machines with other volunteers and it promises to be an awesome new space)



Sewing Sundays are open to all ages and skill levels.  Bring your own machine or use one of the Scrap’s.  Just bring your creativity–







Making Multiples–100 African Print Napkins for a Good Cause

All my Kiki’s Rewind Designs are one of kind.   And while working that way will never make me rich, I love it.  Each piece is fun and challenging to make.  The vintage and reclaimed fabrics I use have unique stories to tell.

Old feed sack prints transformed into new pillow cases.

Old feed sack prints transformed into new pillow cases.

But every now and then, I’m drafted to do  multiples–like these African print napkins to raise money for a girls academy in Kenya.


The cause is Uhuru Child.


That’s Marcia from the fund-raising banquet team cutting  an authentic African wax  print  at my dining room table.

We started by tearing the prewashed fabric into long strips which I finished on the 61 year old industrial serger that lives in my garage.



Marcia cut the serged strips into squares using a rotary cutter.


Back at  the serger, I rolled through  the remaining raw edges on each napkin.

My stepfather was drafted to do the finishing work.  After sealing thread tails with fray check, he  laid the napkins out on the porch between sheets of paper. When the threads were dry, we clipped them.


105 napkins later and we were done!

Yes, it was a long, hard afternoon, but I was grateful to be a part of it. Thinking of the young women of Uhuru reminded me how lucky I am to have been born an American girl with free public education (and the great opportunity that comes with it!)

If you’d like to see more beautiful African fabrics and help the women of Uhuru support their community, check out their craft site–coming back to ETSY on September 14th.

And while you’re on ETSY, you can stop by my shop, too:

Finally, there’re a lot of great sewing causes out there. How to you share your time and talent???

Making Mock Box Corners ( And Other Loose Ends and Updates)

Covering box edge cushions can be challenging–trust me, I’ve made my share.   Seems they often come in groups of 3 or 6.

Lots of box cushions on this recent slipcover project.

Lots of box cushions on this recent slipcover project.

But the mock box corner is so easy I teach it to my Basic Sewing students at the Scrap Exchange in Durham.    This is the corner I like to use when I’m making quick and easy purses from awesome Scrap fabric samples.

Step 1:  Sew 3  sides of a rectangle together.  Make sure to PIVOT at the lower edges instead of sewing to the end of the fabric.  We’ll use that seam allowance later.  And yes, a fold can replace your bottom seam.  That’s what I did in the example.

Side seam and bottom fold.  Note how I've clipped the seam allowance and pressed the side seam(s) open

Side seam and bottom fold. Note how I’ve clipped the seam allowance and pressed the side seam(s) open

2:  Press all seam allowances OPEN.  If you’re using a fold like I am, you’ll need to clip the seam open.   Now channel your inner paper airplane maker and fold the side seams into the center of a point–think of the airplane’s  nose.

Side seam now looks like a paper airplane nose.

Side seam now looks like a paper airplane nose. Pins are marking the stitching line

4: Stitch across the point TWICE for strength.  Cut off excess then flip to the right side and there you have it–cool boxy shape or at least half of one.  So repeat on the other side.

Cutting off the excess fabric in the corner

Cutting off the excess fabric in the corner


Outside purse bottom

Outside purse bottom

Once you get the hang of mock box corners it’s easy to move from purses to pillows like this one pal Karen and I  sewed from two larger samples.  There’s a zipper in the back seam so she can take the cover off for cleaning.

Mock box corners made this bottom cushion super-easy

Mock box corners made this bottom cushion super-easy

In the loose end department– reader, cousin, and sewing pal Betsy requested a photo of the hidden deck in the slipcover at the top of this blog .  I’m so glad I scrimped fabric at every turn on that project.  In the end, it needed an extra 10 yards of piping which I was able to create from the yardage that didn’t end up in the deck.

Stretching my fabric with a hidden canvas deck

Stretching my fabric with a hidden canvas deck

And for niece and nephews BB&T, my transformed birthday tee.  New neckline, new bodice and sleeve length, even new side seams (many tee shirts don’t have them).  It’s a favorite and I always get compliments.  Woof Yall and thanks for remembering my b’day.  Scroll down on this earlier post if you want to see the BEFORE shot of my unisex shirt.

Dog lovers tee remade.  Note our puppy's back in lower right.  She hates the camera!

Dog lovers tee remade. Note our puppy’s back in lower right. She hates the camera!

What’s in my Sewing Basket Part 2–More Tools I Can’t Live Without

While my scissors and thread choices are top of the line (See Sewing Tools Part 1), many of my other sewing tools are inexpensive adaptations.

Take marking on fabric–

Everyone needs a way to draw cutting and/or seam lines and dart points.   And while you can buy all sorts of sewing chalk in the notions aisle of your fabric store,  I like to keep it simple.


School teacher chalk is great for marking colored fabrics.  It brushes off easily with your hand.  For white fabrics, I use light pencil marks.  And if I want a heavy dark cutting line, my dark ebony drawing pencil can’t be beat.

Another marking tool that I use all the time is blue painters’ tape. I put it on the throat plate of my machine to help keep my seams straight (great for top stitching) . I also use it to mark button hole placement before I stitch them.

And if I  have a complicated project going on (think slipcover or curtains), I mark my fabric pieces with blue painters tape for easy ID.


I have two indispensable tools for turning corners:  The white one is a plastic point turner from the 70s.   Chopsticks are also great for pushing out corners.   I use them for stuffing with fiber fill, too. Nothing works into small spaces like a wooden chopstick.


And if you’re turning corners, you have to trim  first.  Fray Check and similar products like Fray Block  are great for keeping well trimmed points from raveling through.  I also use this quick-dry liquid  to “tie off” serger threads. Think of it like a dot of hot glue, without the bulk.   It soaks into the fabric and works magic.  Everyone who sews needs a little of that–


Next time we delve into my sewing box–needles– (Why so many needles?, my students always ask.)  And my dirty little secret. Hint:  It’s acid free.


Sew Together–Adult/Child Sewing Class coming up at the Scrap Exchange in Durham

Miriam shows off her stuffed bunny in progress

Miriam shows off her stuffed bunny in progress

Thanks to friends Miriam , Klara, Alicia, and Megan for making new samples  for my upcoming Adult/Child Sewing Class at the Scrap Exchange in Durham.

Not only did the stuffed bunny, bird, and bear come together in the time allotted—the girls (ages 8 and 11) and the grown-ups had great fun working side by side to  make something uniquely their own—

Klara made a velvet cardinal--the state bird of NC

Klara made a velvet cardinal–the state bird of NC

Just look this wild bunch of wonderful beasts.

Note that Megan's bear has it's own little bear--Miriam's rabbit now has a stuffed carrot

Note that Megan’s bear has it’s own little bear–Miriam’s rabbit now has a stuffed carrot

Alicia's bear has a furry belly

Alicia’s bear has a furry belly

Sewing with others  is always great fun.  And sewing with kids is the best!

Miriam helps Megan with her applique.  You go girl!

Miriam helps Megan with her applique. You go girl!

I’ve never forgotten the generous women who taught me when I was a child.  What a gift!

That’s why I like teaching Adult/Child Sewing so much.

The class has two parts, beginning with sewing machine basics, moving on the class projects: bird, bunny, or bear.  All materials, sewing machines, and tools  are included, so imaginations can really run wild—

Just no running with scissors, OK.


Go to the Scrap Exchange web site for more information.  Space is very limited, since everyone comes in pairs.


Easy Project for the Porch–My Fabric Covered Lampshade

lamp_nightI searched high and low for a good porch lampshade.  In the end, I had to make my own.

Since this was my first lampshade project, I started with a “Cover Your Own” kit from the craft store that I bought years ago and never used.

The pattern worked well, the adhesive was strong.  Still, the next time I do this project, I’ll skip the kit, make my own pattern for a plain shade and use adhesive spray.  It’s a less expensive–greener approach.

Another modification–fabric glues  (I tried two)  weren’t strong enough to hold down a fold of this bulky 1960s fabric from my collection.


I got out my needle and thread and sewed the seam down.


Finally, I used my serger to make a wide trim narrow.   Spray adhesive for paper and fabric stuck this down firmly.

One last step–since dust and moisture take a toll on everything “porch”, I’m going  to use this “Outdoor Scotch Guard” to protect my new lampshade.   I’m not a big fan of Scotch Guard–I like to wash everything–but it’s better than replacing the shade every year.


Lampshade transformation in less than an hour–what do you think???


Four Fabrics–One Awesome Slipcover

Slipcovers are big jobs.  They take lots of time, lots of fabric.


For this couch cover,  my client and neighbor Pam and I went to Loomcraft Textiles in Burlington (NC)

Yea, they’re the one with the big “Free Fabric” banner on 1-85. Loomcraft sells bolt ends, seconds, discontinued fabrics.  The selection is AWESOME and so are the prices for that kind of thing. Many bolts start at $8 per yard.  There’s also a 5 dollar room where I like to hang out.


But Pam fell in love with this vintage-look barkcloth.   Because of the huge pattern that needed to be matched , there was only enough fabric  for 3 pillow fronts.  We had just enough solid for those pillow backs and the bottom cushions. Getting enough out of Pam’s third fabric, the black and taupe stripe,  was a stretch, too.  I actually used a fourth (hidden) fabric for the sofa “deck” which is under the cushions.


Yea, big job.  But BIG payoff.  Especially if you have dog(s), or kid(s).  There’s nothing like pulling those covers a couple of times a year and throwing them in the wash–

And there’s nothing like a satisfied customer (below)



Here are a few slipcovers tips if you’d like to try this at home:

  • I taught myself the basics with a good (old) book.  Seek out Sunset’s  How to Make Slipcovers and Bedspreads, by Oxmore house. The pictures are pure 70s, but the instructions are unbeatable.  (Trust me, I have a lot of books)
  • Always hold back a little fabric.  I made 30 yards of covered welt for this project.  It wasn’t enough.  Thank goodness, I’d saved a little rectangle of the stripe to create more.  The Sunset book has great instructions for cutting bias strips en mass.  From my little rectangle, I cut 14 more yards.
  • If you have a serger, use it on the raw edges BEFORE you stitch the parts together.  Otherwise, you need to zig-zag over raw edges as a final step.  It’s going to go in the wash remember–
  • And speaking of wash, do prewash and dry all your fabrics before you start sewing.  We roughed out measurements, then cut and washed.  Make sure to serge the edged if you think the fabric might fray.
  • Finally for your first slipcover, start small, a chair or footstool even.  You’ll work up to couches before you know it.

Personally, I’m ready for a slipcover break.  Anyone else with large project fatigue???



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